Article 118
An author who has concluded a performance contract
regarding an undisclosed work may publish it, by
means of printing or by any other process of
reproduction, unless otherwise agreed with the
impresario.
SECTION II
Recital and Performance
Article 119
1. The recital of literary works and the
performance, using instruments or instruments
together with singers, of a musical or literary
musical work shall be deemed to be
performances within the meaning of Article
102. The rules contained in the articles of the
preceding section shall apply to contracts
signed for the recital or performance of such
works, provided that they are compatible with
the nature of the work and its presentation and
the provisions of the following articles.
2. The recital, rendering and or expressive
reading in public of a literary work by a single
individual shall be deemed to be recital.
Article 120
1. The body which promotes or organizes the
performance or recital of a literary, musical, or
literarymusical work, before a public
audience, must display the corresponding
program at the venue in advance, displaying
the title of the work and the name of its
author..
2. One copy of this program must be provided to
the organization or organizations representing
the author or the agents of such organizations
if they are based in the area.
Article 121
1. Where the body promoting��the performance or
recital draws up a fraudulent program, in
particular, by including works that it does not
intend to have performed or recited, and by
performing or reciting unannounced works in
their place, or where, during the performance,
due to reasons that do not constitute
unforeseeable circumstances or force majeure,
the performance or recital of the works
included in the program is halted, the authors
whose moral and material interests have been
harmed may claim compensation for loss and
where the authorities have demanded the deletion of
elements of the text. In such cases the impresario may
call on the author to comply with the decision of the
authorities.
Article 113
Where a work has never been performed or reproduced
in any form, the impresario must ensure that it does not
become known before the first performance, without
prejudice to its communication to the authorities under
the terms of the law.
Article 114
The impresario must indicate clearly and in visual
form on the programs, posters and any other forms of
publicity, the name, pseudonym or other identifying
sign adopted by the author.
Article 115
1. In order for the performance of the work to be
transmitted by audio or visual broadcasting, or
by any other similar process, the express
written consent of the author of the work must
be obtained, as well as the authorization of the
show’s impresario.
2. The same principle shall apply to the filming
of the show or its phonographic recording, in
whole or in part.
Article 116
The impresario may not yield or transfer rights
deriving from the performance contract to third parties
without the author’s consent.
Article 117
Performance contracts may be cancelled in the cases
already referred to and in the following cases:
(a) at the request of the author, in the event of
death , bankruptcy, a court order issued owing
to the onset of mental illness or because of
profligacy on the part of the impresario;
(b) at the request of the impresario.
1. in cases where the public obviously and
continuously dislikes the performances;
2. in cases of suspension or prohibition of the
performance by the authorities;
3. if the work covered by the performance
contract is incomplete or not started, in the
event of the author’s death or physical or
mental incapacity which prevents the
conclusion of the work or creates
excessive delay in the delivery of the
same.
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