(d) the distribution or making available to the public of the original or copies of
the fixation of his or her performance through sale or other transfer of
ownership.
(2) A performer has the right to enter into contract on terms and conditions that
the performer may wish for the use of the performance or fixation by another
person.
(3) A performer shall have the right to authorise the commercial rental to the
public of the original or copies of the fixation of his or her performance even after
the distribution or making available to the public of the original or copies of the
fixation by the performer.
(4) A performer shall have the right to authorise the making available to the
public of the fixation of his or her performance by wire or wireless means or
internet, in such a way that members of the public may access it from a place and at
a time individually chosen by them.
23. Moral rights of a performer
(1) A performer has a right—
(a) to be identified as the performer;
(b) to have his or her name mentioned each time the performance or the
broadcast or communication of the fixation, is used or whenever any of
the acts referred to in section 24 is done in relation to a performance,
except where it is not practicable to do so;
(c) to object to and seek relief in connection with any distortion, mutilation,
alteration or modification of his or her performance.
(2) The moral right under subsection (1) shall not be assignable to any person,
except for the purpose of its enforcement.
24. Action not authorized without a specific provision in a contract
Unless it is specifically provided in a contract, the authorisation to broadcast or
communicate a performance does not imply—
(a) a licence to other broadcasting or companies to transmit the performance;
(b) authorisation to make a fixation of the performance;
(c) authorisation to reproduce the fixation where the authorisation granted is to
broadcast and communicate a fixation of the performance;
(d) authorisation to broadcast or communicate the performance from the
fixation where the authorisation granted is to make a fixation.
25. Authorization in a co-performance
Where two or more persons take part in the same performance as a group,
authorisation for the use, broadcast or communication of the performance shall be
given by the leader
of the group or the legal representative of the group if any.