distribution of the work thus reproduced, in
particular the public performance of the reproduction made by means of film or phonogram;
translation, adaptation, arrangement or any other
transformation of the work;
communication of the work to the public by
means of performance or recitation, by any
means or process whatsoever, including sound or
television broadcasting;
communication of the broadcast or televised work
to the public by wire, loudspeaker or by any other
process for transmitting sounds or images, whatever the place of reception of the communication.
Article 29. No third party may do any of the
above acts without prior authorization given formally in writing by the author. Any reproduction or
performance, whether partial or whole, made without
the authorization of the author or his successors in
title shall be unlawful. The same shall apply to the
translation, adaptation, arrangement or transformation of the work.
Article 30. Notwithstanding any assignment of
the original work, the authors of graphic or threedimensional works shall have an inalienable right to a
share in the proceeds of sale of such works by public
auction or through a dealer, whatever the methods
used by the latter to carry out the operation. This
provision shall not apply to architectural works or
works of applied art. After the death of the author,
this droit de suite shall subsist for the heirs or legatees, in accordance with Article 61.
The conditions for the exercise of this right shall
be laid down in subsequent instruments.
CHAPTER 2
Moral Rights
Article 31. The author may disclose his work,
claim authorship, defend its integrity and require that
his name be mentioned whenever one of the acts
referred to in Article 20 is done.
Save where a work is included incidentally or
accidentally when reporting current events by means
of broadcasting, the author may object to any distortion, mutilation, modification or any other derogatory action in relation to his work where such acts are
prejudicial to his honor or reputation.
Article 32. The rights referred to in Article 31
shall be perpetual, inalienable and imprescriptible.
They may be transferred on the death of the author
to his heirs, who may exercise them even after the
expiry of the economic rights laid clown in Article 2~.
CHAPTER 3
General Limitations
Article 33. Notwithstanding Article 28, the following uses of a protected work, either in the original
language or in translation, shall be permissible
without the author's consent:
1. In the case of a work that has been Iawfully
published:
(a) the reproduction, translation, adaptation, arrangement or any other transformation of
such work exclusively for the user's own personal and private use;
(h) the inclusion, subject to the mention of the
source and the name of the author, of quotations from such work in another work,
provided that such quotations are compatible
with fair practice and their extent does not
exceed that justified by the purpose, including
quotations from newspaper articles and periocJicals in the form of press summaries;
(c) the utilization of the work by way of illustration in publications, broadcasts or sound or
visual recordings for teaching, to the extent
justified by the purpose, or the communication
for teaching purposes of the work broadcast
for use in schools, education, universities and
vocational training, provided that such use is
compatible with fair practice and that the
source and the name of the author are mentioned in the publication, the broadcast or the
recording.
2. In the case of an article published in newspapers
or periodicals on current economic, political or
religious topics, and in the case of a broadcast
work of the same nature, the reproduction of such
article or work in the press, or the communication
of it to the public, unless the article when published , or the broadcast of a work when broadcast, is accompanied by an explicit statement prohibiting such uses, and provided that the source
of the work when used in such manner is clearly
indicated.
3. For the purposes of reporting on a current event
by means of photography, cinematography or
communication to the public, the reproduction or
making available to the public, to the extent
justified by the informatory purpose, of any work
that can be seen or heard in the course of such
current event.
4. The reproduction of works of art and of architecture, in a film or a television broadcast, and the
communication to the public of the works so
reproduced, if those works are permanently