(a) utilization for the purposes of education; (b) utilization by way of illustration in an original work of an author or authors, provided that the extent of such utilization is compatible with fair practice; (c) borrowing expressions of folklore for creating an original work of an author or authors, provided that the extent of such utilization is compatible with fair practices; (d) incidental utilization of expressions of folklore. (4) In all printed publications, and in connection with any communications to the public, of any identifiable expression of folklore, its source shall be indicated in an appropriate manner, and in conformity with fair practice, by mentioning the community and/or geographic place from where the expression utilized has been derived. (5) The right to authorize acts referred to in sub-section (1) lies with the Minister of Information. SECTION: 2.32 PROTECTION OF PERFORMERS AND PRODUCERS OF SOUND RECORDING A. ACTS REQUIRING AUTHORIZAITON OF PERFORMERS (1) Without the authorization of the performers, no person shaJl do any of the foJlowing acts: (a) (b) The broadcasting or distribution by cable of their performance except where the broadcast or distribution by cable: (i) is made from a fixation of the performance authorized by the performer other than a fixation made under the terms of Section 2.7; or (ii) is a broadcasting or distribution by cable of a broadcast performance authorized by the performer and is made or authorized by the organization initially broadcasting the performance; The communication to the public of their performance, except where the communication: (i) is made from fixation of the performance authorized by the performer, or (ii) is made from a broadcast or distribution by cable of the performance; (c) the fixation of their performance; (d) the reproduction of a fixation of their performance, in any of the following cases: (i) where the performance authorization; was initially fixed without their 33